Beyonce (Actor), Beyonce Knowles (Director), Ed Burke (Director) | Format: DVD
Release Date: November 29, 2011
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Storm is a turbulent, raucous battle between the darkness of gypsies and the resolution of the settlers, both fighting for the same piece of land. The gypsies have inhabited the land for generations and the settlers are looking to put down roots and build their community. Irish culture and tradition permeate throughout the stage. The power behind Sharon Browne and Phil Coulter's production comes from their creative and thematic juxtapositions of light and dark, youth and life experiences, as well as energetic ensemble numbers and heartfelt solo showcases. The massive set spans 130 feet in length and 40 feet in depth, and is comprised of live trees, gypsy caravans, settler's huts, and even a river. In the tradition of Celtic Thunder's previous releases, Storm's show-stopping musical performances include the bold and daring "Stand And Deliver", the comedic and youthful "Look At Me", and a wonderfully new a cappella arrangement of the beloved classic "Lagan Love"Since the airing of their first Public Television special in 2008, Celtic Thunder consistently remains one of the most popular musical acts for the network. Storm was filmed alongside It's Entertainment at the Toronto International Centre Hall 5 in Toronto, Ontario. Their 60-minute DVD was shot in high definition with a 15-camera multi directional shoot and exceptionally high production values. Read more
When three teenaged brothers and their cousin rebelled against their strict, religious Southern upbringing to form Kings of Leon, their humble backstory garnered almost as much attention as their music. Many questioned if they were really related and if rumors of their father being a Pentecostal preacher were true. Since then, the band has achieved worldwide, Grammy® Award-winning success and Talihina Sky: The Story of Kings of Leon lies to rest the mystery and myths as it details the rise to fame from their bible belt beginnings.
The documentary kicks off at the annual Followill family reunion in the back woods of Talihina, OK, where the boys return to their roots and unwind with their family. First-time director and Followill friend Stephen C. Mitchell weaves personal home videos, unedited interviews and behind-the-scenes footage of the band's journey from their small-town beginnings -- spent in poverty and touring the circuit with their father, a Pentecostal evangelist minister, and their devout mother -- to living the rock star dream. Read more
Filmed live at the Loveless Barn in Nashville, Tennessee, this
heart-stirring evening of music features Jason Crabb at his very
finest. Each moving performance bears Jason's electrifying musical
signature, bringing together a heart-stirring collection of gospel
favorites sung only as he can sing them. Joined by special guests
the Gaither Vocal Band and The Crabb Family, plus a surprise
appearance by Oak Ridge Boy William Lee Golden, this musical
experience is packed with great songs, unforgettable moments and
a whole lot of heart. Read more
Filmed at the Palace Theatre in Stamford, CT during their 2011 tour, Crosby-Nash: In Concert captures the legendary duo performing hits from their beloved catalog. This is the first DVD release on Crosby & Nash's label, Blue Castle Records, and is a must-have for fans who want to experience two of America's greatest musicians in their element: performing live in concert. Read more


It might have been fate that MTV was born at the same time people began to notice the rare talent and artistic ingenuity of Michael Jackson. It proved to be a perfect match between the new television network and the young rising icon. Early on, Michael saw MTV’s potential as a force of its own and understood that it offered him the chance to pioneer a whole new visual style through which people could see music, not just listen to it. For the first time, artists had the opportunity to truly shape a vision of a story around their songs. For Michael, this meant treating the song as a “script” and creating a stand-alone film to tell that story. In fact, Michael referred to each of these productions as a "short film" and not a “music video.”
No other artist contributed more to the development of this art form than Michael Jackson. Just look at the impact of Thriller, which was recently named the first (and only) music video ever to be inducted by the Library of Congress into the National Film Registry - an elite collection of only a few hundred films. In addition to this, Michael’s vision had immense cultural impact . The enormous popularity of his short films proved to MTV Executives that they were wrong about what their audience wanted; it was Michael who broke through that initial barrier and created opportunity for future African American artists.
Here, for the first time, is the complete collection of all 35 of the short films produced by Michael during his career as a solo artist - 10 of which are appearing on DVD for the first time. All of the short films have been meticulously restored and remastered for the ultimate audio and visual experience and a bonus DVD includes 7 additional videos including “Enjoy Yourself” with The Jacksons, “Say Say Say” with Paul McCartney and the Previously Unreleased video for “One More Chance”. This is a true representation of Michael Jackson’s Vision. Read more
Justin Bieber: Never Say Never is the inspiring, entertaining and intimate look at the life and meteoric rise of pop phenomenon Justin Bieber. From small town boy to global super-star, Never Say Never follows Justin Bieber’s journey from his early years, to his rise from break-out internet sensation to global super-star, culminating with a sold-out show at the famed Madison Square Garden. More than just a concert, Never Say Never is a captivating, cinematic event featuring all-star musical talent including, Usher, Jaden Smith, Ludacris, and more! Never underestimate the power of perseverance, social media, good hair, and a winning smile. Small town boy Justin Bieber is a young musician (16 years old at the time of this film's release) who started out goofing around on the drums at home as a young child and posting videos on You Tube as a preteen. With the help of producer Scooter Braun, he has rocketed to the status of pop phenomenon, performing for a sold-out house at the coveted Madison Square Garden in less than two years. Part documentary, part concert video, Justin Bieber: Never Say Never combines archival home videos with live concert footage; interviews with everyone from Justin's young single mother and his grandparents to his vocal coach "Mama Jan" Smith, pop icon and actor Usher, and producer Braun; and way too much footage of squealing, overwrought preteen female fans (the latter will likely cause one's eyes to spontaneously roll back in one's head and trigger a gag reflex unless one happens to be a 10- to 12-year-old girl). Showcased are Bieber's early visits to every radio station imaginable; his life backstage, on the road, and during a rare visit with his friends back home; the determination of those around him to keep his life as normal as possible; and lots of up-close footage of his concerts. Throughout the 10 days preceding his Garden debut, guest artists like Miley Cyrus, Usher, Jaden Smith, and Boyz II Men join Bieber onstage for collaborative performances of songs including "Overboard," "Somebody to Love," "Never Say Never," and "U Smile." Bieber also deals with the stress and pain of a throat infection that causes him to cancel his first show ever and threatens to prevent him from honoring his performance date at the Garden. Finally, the day of the Madison Square Garden performance arrives and viewers are treated to a great sampling of Bieber's powerful performance. The film does a good job of chronicling Bieber's rise to stardom, but let's face it, his career has spanned less than two years as of this film, so there's not really all that much to say in a movie that lasts almost two hours. But even if you're not a rabid Justin Bieber fan, you have to admit the kid has talent and you've got to respect his incredible journey. (Ages 9 - 13) --Tami Horiuchi Read more
A special one-time event documenting one of rock and roll's greatest and most unique performances. Recorded live at the Cocoanut Grove in Los Angeles, Roy Orbison is joined by an eclectic ensemble of rock and roll superstars. Highlighting this all-star line-up are Jackson Browne, Elvis Costello, T-Bone Burnett, J.D. Souther, Jennifer Warnes, k.d. lang, Bonnie Raitt, Bruce Springsteen and Tom Waits. Orbison and fellow performers spend a scintillating hour performing many of his greatest hits. Songs: Only the Lonely, Dream Baby, The Comedians, Ooby Dooby, Leah, Running Scared, In Dreams, Crying, Candyman, Go Go Go, Mean Woman Blues, It's Over, Oh Pretty Woman, Dream You, Blue Bayou, Claudette.Few early rockers were more gifted or less honored in their prime than the late Roy Orbison, whose vaulting tenor and vulnerable love songs conjured heartbreak and desire with operatic intensity. This 1987 concert special, originally broadcast on Showtime, came two decades after Orbison had retreated from pop's front lines, yet neither Orbison nor his music coasts on mere nostalgia: in every respect, A Black and White Night survives as a triumphant performance and a superb video production, as well as a first-rate retrospective of Orbison's hits.
Filmed in black and white against the streamlined art deco stage of the since-demolished Coconut Grove in downtown Los Angeles, the concert is buoyed by a remarkable cast of A-list Orbison fans who signed on as his accompanists. Under the direction of producer T-Bone Burnett, the stage band thus includes Jackson Browne, Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits, and Jennifer Warnes, along with the rhythm section from Elvis Presley's fabled late '60s and early '70s touring band. That astonishing lineup is all the more noteworthy for the restraint with which they collaborate--it's evident that those superstars came to honor Orbison, not upstage him, resulting in a gratifying cohesion to the performances.
Orbison himself sounds as powerful as ever, his soaring falsetto cresting as dramatically as it did on the studio versions of the hits that inevitably dominate. Those songs meanwhile confirm that his blue chip admiration society came as much for the caliber of his writing as for his ravishing voice: if he remains best known for the jaunty come-on of "Pretty Woman," Orbison was first and foremost a rock balladeer, capable of bringing lumps to our throats with such classics as "Crying" and "Only the Lonely," or conjuring romantic trances through such gentle charmers as "Dream Baby." On this night, he handled all of them with fervor and finesse. --Sam SutherlandFew early rockers were more gifted or less honored in their prime than the late Roy Orbison, whose vaulting tenor and vulnerable love songs conjured heartbreak and desire with operatic intensity. This 1987 concert special, originally broadcast on Showtime, came two decades after Orbison had retreated from pop's front lines, yet neither Orbison nor his music coasts on mere nostalgia: in every respect, A Black and White Night survives as a triumphant performance and a superb video production, as well as a first-rate retrospective of Orbison's hits.
Filmed in black and white against the streamlined art deco stage of the since-demolished Coconut Grove in downtown Los Angeles, the concert is buoyed by a remarkable cast of A-list Orbison fans who signed on as his accompanists. Under the direction of producer T-Bone Burnett, the stage band thus includes Jackson Browne, Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits, and Jennifer Warnes, along with the rhythm section from Elvis Presley's fabled late '60s and early '70s touring band. That astonishing lineup is all the more noteworthy for the restraint with which they collaborate--it's evident that those superstars came to honor Orbison, not upstage him, resulting in a gratifying cohesion to the performances.
Orbison himself sounds as powerful as ever, his soaring falsetto cresting as dramatically as it did on the studio versions of the hits that inevitably dominate. Those songs meanwhile confirm that his blue chip admiration society came as much for the caliber of his writing as for his ravishing voice: if he remains best known for the jaunty come-on of "Pretty Woman," Orbison was first and foremost a rock balladeer, capable of bringing lumps to our throats with such classics as "Crying" and "Only the Lonely," or conjuring romantic trances through such gentle charmers as "Dream Baby." On this night, he handled all of them with fervor and finesse. --Sam Sutherland Read more